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Yed Yemma

الورشة

My mother's hand

Yed Yemma is two people: my mother, who crochets, and me, who handles everything else. There is no workshop, no team, no subcontracting.

A corner of the home workspace: a wooden chair by a window, a basket of yarn and a piece in progress

The name

يد يمّا

“My mother's hand”. The name says who makes it, how, and why this isn't a factory. No agency would have done better.

The corner of an antique Amazigh rug beside a crocheted granny square: the same grid of concentric squares

The motif

One square, two readings.

The crochet granny square and the Amazigh rug motif are built on the same grid of concentric squares. A Moroccan sees a rug. A fashion buyer sees crochet. Both are right.

The proof

Numbered by hand.

Every piece carries its number, written by hand on the tag. That isn't decoration: it's the only honest way to say there will never be two the same.

A hand writing the number 007 in pen on a piece's card tag
Both sides of the Yed Yemma hang tag: the icon on indigo, and on the back the PIÈCE N° line

The limit

10–20

Ten to twenty pieces a month.

That's one person's pace, and we don't hide it. If demand outruns it, we lengthen the lead times or we train someone. We won't have it made elsewhere and keep the same name.

Five pink, turquoise and cream granny squares on a wooden table, with a hook, scissors and balls of yarn